![]() Today, you would be hard-pressed to find a music genre where sampling isn’t used. ![]() The iconic MIDI sampler made it easy to trigger patches by finger drumming on its built-in square pads, while recording the performance onto its built-in sequencer. ![]() In 1988, Roger Linn designed the AKAI MPC60, which quickly became the most legendary sampler and had a major impact on hip-hop music. Throughout the following decades, electroacoustic composers-and later pioneering electronic musicians-fascinated by the new unique sounds they could come up with, continued exploring audio transformation techniques involving recording devices to stray away from the classic acoustic instrument sounds of composers from past centuries. Shortly after the first analog tape recorders appeared around 1935, composers started using the recording medium as a compositional tool-manipulating the audio playback using reverberation and echo using voltage control devices that changed the tape speed and thus altered playback speed and pitch and using punch recording to splice different sounds together. Use a vocal recording to produce vocal chops Splice different audio regions into a sound collage Modulate sample pitch and volume with LFOs and envelopes ![]() Import a drumbeat and slice it into individual drum hits Turn a sustained vocal note into a pad synthesizer sound This lesson takes approximately 60 minutes to complete.Įdit sample start, end, and loop points on the waveform display Logic Book Projects > Media > Just Like This Vocal.wav
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